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Grand Opera
Description
Extra Culture from buildings in Theater Squares: +50% if city population is 15 or higher, +50% if district has at least +4 adjacency bonus.
Historical Context
As if opera isn’t enough (and it certainly is for many folks), for a period from the late 1820s through the 1850s “grand opera” was all the rage in France. The genre was marked by four or five acts, large casts and orchestras, lavish costumes and stage effects, with plots based on dramatic historical events. The first of these monumental productions was La Muette de Portici by Daniel Auber; set in 1647 revolutionary Naples, it ends with the eruption of Mount Vesuvius and the heroine throwing herself into it. There was not a dry eye in the theater after it premiered, and for nearly two generations European audiences flocked to grand operas.
PortraitSquare
icon_policy_grand_opera

Requirements

Civic
icon_civic_opera_ballet
Opera and Ballet
PortraitSquare
icon_policy_grand_opera
Description
Extra Culture from buildings in Theater Squares: +50% if city population is 15 or higher, +50% if district has at least +4 adjacency bonus.
Historical Context
As if opera isn’t enough (and it certainly is for many folks), for a period from the late 1820s through the 1850s “grand opera” was all the rage in France. The genre was marked by four or five acts, large casts and orchestras, lavish costumes and stage effects, with plots based on dramatic historical events. The first of these monumental productions was La Muette de Portici by Daniel Auber; set in 1647 revolutionary Naples, it ends with the eruption of Mount Vesuvius and the heroine throwing herself into it. There was not a dry eye in the theater after it premiered, and for nearly two generations European audiences flocked to grand operas.

Requirements

Civic
icon_civic_opera_ballet
Opera and Ballet
Language
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